A nod to the basic instinct to pass by a stranger's dwelling and peer inside, this project mimics an unconscious behavior that can elicit sensations on multiple levels. The simple motif of the lit interior view from "captured" snapshots against a void of black draws attention to dualisms in looking versus seeing and painting in dimmensional space. While creating tension between abstraction and figuration, these works engage the viewer to interpret the images in regards to psychological concepts of voyeurism, memory, cinematography, isolation, urbanism, and location.